![]() ![]() Which left Jeremy Summerly's performance. Shaw's work with the tutti orchestra+choir movements was very good, but those solos-and the over-romanticized cast-were enough to knock his recording out of the running. And the license he allowed the soloists insofar as embellishment was heinous. in movement VI the soprano sang "doy-mi-ni," which, to a Latin buff, is paramount to scraping fingernails across a blackboard). Additionally, Shaw allowed some MAJOR mistakes insofar as pronounciation within the movements with solos (i.e. The most notible comparison was to that of master Robert Shaw the latter, in my opinion, is far too romantic an interpretation (the strings are too lush and the style lacks the tight vivacity of Baroque music). This recording, as the title implies, is the best among all those which I have sampled on Amazon. ![]() While the other included work is very nice, I have not had enough experience with it to pass judgement upon this recording of it versus others. NOTE: This review will concentrate upon the Gloria in D, RV 589. 25 Beatus vir In C, RV 597: Gloria Patri.23 Beatus vir In C, RV 597: Peccator videbit.22 Beatus vir In C, RV 597: Paratum cor eius.20 Beatus vir In C, RV 597: In memoria aeterna.18 Beatus vir In C, RV 597: Jucundus homo.17 Beatus vir In C, RV 597: Exortum est In tenebris.15 Beatus vir In C, RV 597: Gloria et divitiae.13 Beatus vir In C, RV 597: Potens In terra.12 Beatus vir In C, RV 597: Beatus vir qui timet Dominium.11 Gloria In D, RV 589: Cum Sancto Spiritu.10 Gloria In D, RV 589: Quoniam tu solus Sanctus.9 Gloria In D, RV 589: Qui sedes ad dexteram Patris.8 Gloria In D, RV 589: Qui tollis peccata mundi.7 Gloria In D, RV 589: Domine Deus, Agnus Dei.6 Gloria In D, RV 589: Domine Fili unigenite.5 Gloria In D, RV 589: Domine Deus, Rex caelestis.4 Gloria In D, RV 589: Gratias agimus tibi.1 Gloria In D, RV 589: Gloria In Excelsis Deo.
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